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This is an orchestration for an event. For a dance in fact. The participants will be apprised of their roles at the proper time. For now it is enough that they have arrived. As the dance is the thing with which we are concerned and contains complete within itself its own arrangement and history and finale there is no necessity that the dancers contain these things within themselves as well. In any event the history of all is not the history of each nor indeed the sum of those histories and none here can finally comprehend the reason for his presence for he has no way of knowing even in what the event consists. In fact, were he to know he might well absent himself and you can see that that cannot be any part of the plan if plan there be.
About me.
(Source: furples, via scorpiocurse)
"There was no country scene in her hometown, no love for hillbilly culture or cowboy couture. So among the city’s patrician class Patsy was known simply as a loudmouth and unregenerate flirt. She called out to passersby from her porch swing and sang at disreputable venues with all-male bands. She had a deadbeat father and a divorced mother, and didn’t even have the decency to feel ashamed of it.
Worse still: She wore pants."
A Closer Walk With Thee: The Complicated Hometown Legacy of Patsy Cline. (via winesburgohio)
Fantastic.
(via hotdoorknobs)
(via fletter)
The garden of Saiho Ji in Kyoto, Japan. (Amazing Places To Experience Around the Globe)
CNN’s Wolf Blitzer Asks Atheist Tornado Survivor If She ‘Thanked The Lord’
this is the best tumblr new ever !
(Source: heyfiki, via highplainsflotsam)
(Source: letmedothis, via cellbellcell)
Tonight, May 23, Ted Lawson will open a new solo show titled “Crude” at Emmanuel Fremin Gallery in New York. Rather than interpreting the word “crude” as it is used it common speak to declare something tactless or offensive, Lawson refers to the word’s other meaning: a raw or unrefined state. Lawson’s new sculptures explore the idea of the cycle of life, tapping into the mythological link between death and eroticism as it pertains to regeneration and creation. Take a look at some of the works in the show below, images courtesy of Emmanuel Fremin Gallery, and see “Crude” May 23 through June 23.
MORE: http://hifructose.com/2013/05/23/preview-ted-lawsons-crude-at-emmanuel-fremin-gallery/